When people think of great guitarists of the 20th century, often names like Les Paul, Jimi Hendrix, Jeff Beck, and Jimmy Page come to mind. Indeed, all of these men were are great guitarists, but they were also all masters of the modern electric guitar, which, in many ways, is a completely different animal than an acoustic guitar.
Having played the guitar on and off through my youth and adult life, I have learned that although both electric and acoustic guitars are difficult to play well, but in terms of the physical hand and finger strength necessary, I really believe that the acoustic guitar is, on the whole, much harder to play.
And this is just one of the things that makes a man like Django Reinhardt such an unusual on so many levels. Reinhardt is generally regarded as one of the greatest, if not the greatest guitar player of the 20th century, and he gained this fame by playing the acoustic guitar and not the electric guitar.
The acoustic guitar was not even the dominant instrument during the time he played (in the early 20s and 30s). Much of reason of the acoustic guitar's lack of popularity had to do with the simple fact that an acoustic guitar was simply not very loud, certainly when compared to horns and drums.
Once electric amplification came along, the guitar soon became the dominant instrument not only in jazz but in popular music as well. In fact, the electric guitar became a cultural icon representing strength, power, glory and an almost transcendent element, heralding the age of the so-called 'Guitar God'. And certainly, when the future looks back to discuss 20th century music, it seems undeniable that the electric guitar, in all of its various roles, will be a big part of that discussion.
Furthermore, as you can see by the photograph above, Django playing hand was severely crippled as a result of a burn sustained in a house fire. This makes everything that Django Reinhardt accomplished all the more amazing, especially from a hand surgeon's perspective, because I still can't figure out how on earth he created some of the sounds he did with such a severe contracture of his ring and small finger.
Jazz in particular, relies on a much more complex chords and chord arrangements which usually require the ring and the small finger to produce. But Danjos ring and small finger were not only crooked, they didn't even move! It really defines logic and explanation on many levels, as does Reinhardt as a person himself.
Born in 1910 in Brussels, Django was a gypsy from the Manouche tribe of gypsies known for their musical ability. In his native language, Roma, Django means hope, which I think is an appropriate name for this singularly talented virtuoso.
In his early twenties, as I've mentioned, Django was badly burned in a house fire, which resulted in the loss of his left ring and small fingers. Teaming up with violinist Stephane Grappelli to form the Hot Club Quintet of France, Danjo made numerous memorable albums with Django that are now considered classic of Jazz.
Django Reinhardt was both a complicated and colorful man, outside his musical talent and gifts. For instance, He never learned to read or write, and loved to gamble, carrying a roll of cash with him wherever his went that was usually much fatter the night before! But money was never all that important to Django Reinhardt as he loved to paint, and like to play his music on his terms, sleeping in, and missing gigs frequently when it was his will.
And Danjo was a very fine painter indeed, and probably, a good lover too if you study his paintings as most of them are nude portraits of women!
But above all, it was the guitar which ruled his passions and desires. Django would play incessantly, until his fingers bled, at all hours day or night. And even though he appears, by all accounts to be somewhat unruly and difficult to deal with, as artists of Django's caliber are wont to act, we are all blessed ultimately by the wonderful
legacy of music he left behind for us to enjoy.
Sadly, Django died of a cerbral hemorrhage when in 1953 when he was just 43. His legacy, though, lives on through his music.
As a hand surgeon, I see devastating injuries of the hand frequently, and the emotional shock of the loss is often overwhelming, and can cause depression. However, if there is anything beyond music that Django Reinhardt's music and life can teach us is the resilience of the human spirit--how it is not easily quashed, and how music comes, not from the actual physical creation of notes, but from the soul itself, and it will inevitably find a way to express itself in spite of enormous obstacles.